Rene Wanner's Poster Page |
BOOK REVIEW
Posters in Action
Visuality in the Making of an African Nation Edited by Giorgio Miescher, Lorena Rizzo and Jeremy Silvester, published by and available from Basler Afrika Bibliographien, Basel (CH) (2009) ; 256 pages, 30 x 21 cm, about 150 illustrations; softcover; in english; ISBN 978-3-905758-09-2; CHF 90.00 (about 83 US$, or 500 ZAR in South Africa) A poster history of Namibia, from the 1930's to the present commercial posters, with a special emphasis of the posters of the indepence war, with many essays by specialists from Namibia and Switzerland, a rich and throrough docummentation, and a profound analysis of the role of posters. |
This book is a collaboration of the National Archives of Namibia, and the Basler Afrika Bibliographien in Switzerland, a privately run archive of
Africa related material which includes a large, but relatively unknown collection of african posters. It's holdings have been the subject of
an excellent previous publication (Miescher, Giorgio; Henrichsen, Dag (eds.): African posters).
The new publication is the result of a six year research project and goes into more detail about the role of posters in the history of Namibia, a sparsely populated country in Southwest Africa which obtained independence from South Africa in 1990 after a twenty year liberation struggle. Several workshops and exhibitions in Basel and Windhoek contributed to the project. It is composed of about 20 articles, starting with printing techniques, continuing with tourism advertising, health and AIDS posters, political posters for (and against) the SWAPO, the political party and former underground movement that led the liberation struggle, and finishing with contemporary advertising posters, discussing for example "the mysterious demographics of beer drinking". The website of the publisher has the full table of content together together with 17 sample pages. A special 40 page chapter is devoted to "The Photographic Poster Archive", i.e. photographic records kept as part of the poster collection, pointing out that "Photographs often constitute the sole material evidence we have of the existence of particular posters and related visuals such as placards, flyers and T-shirts." The book cover shows two examples of poster pictures in their context. The diverse material from the different authors is smoothly joined without overlap by the steady hand of experienced editors, is clearly written and easy to read, and is supported by detailed image descriptions, notes, a 6 page bibliography and an index. In addition, the book is well designed. |
1989, Students Vote, poster designed in Windhoek, printed in Cape Town |
1977, Biko and Solidarity, poster probably designed by Ben Martins and Thami Mnyele |
1988, Anon, Namibia Day 1988 |
2008, Kaleb Shaaluken standing next to a Heidelberg offset printing machine at Namprint, Windhoek |
1989, Early AIDS poster, issued by the Departement of National Health and Welfare, Windhoek |
2003, Tafel Lager (Jackson Kaujeua playing Saxophone), issued by Namibia Breweries Ltd., designed by DV8 Saatchi & Saatchi |
2008, Backstage of the National Theater in Windhoek |
1953, film advertising in Windhoek, original caption "Die deutschen Strassen in Windhoek. Kaiser und Bahnhofstrasse |
What impressed me most about this book, and convinced me instantly of it's high value, are a number of statements and points of view of eye opening simplicity and strength:
|